When I have decided to color the inside of Azalea with the technique of the "spugnatura" whimsically applied by Raffaele Desena ,and' become for me essential to gather another objective. To slightly humanize, almost invisibly and in form politely graced, the environment of house. '' I have done it with the understanding to associate to the idea of light, of space and of perceptive share that the color has originally given him expressions of known artists of figurative art.In the modern and technological era that a new way marries to communicate, it becomes natural to discover in the metamorphosis, the natural and dimensional limit of the fisicità and inevitable to exalt the disruptive temptation to the virtualità that, in the digital era, calls a new concept of man.Man as subject that it is submitted to the essenzialità of the movements, to the primitive gestualità of his body, recalled by the use of clear lines, clear and at times conflicting you trace on the sketch.

At times a po twisted, entangled volutamente, to mark the sudden strangeness of the mind as Picasso said.A living subject projected to the instrumental use of the technique and the digital technology that discovers to the apex of the utilitarian materialism , the incorruptibility of his native status, the lightness of his being, his individual brittleness, his anxiety of survival as often the British sociologist Zygmunt Bauman underlines when he speaks of " liquidity of the modern society."From the artificial development projected in the future to the clarity and synthesis of the primordial and ancestral forms de "Her dances " of Mique.Almost pits a search of wandering communication among the future and the past, without measuring him to the time and even in the space.With this spirit I offer the hospitality in " Azalea House ", some that at the end more than conveniences are the places, in the circumstance the silent charm of the Lake Como , to dictate the changes on the man and on its states of mind; they are the places and their emotional suggestions to condemn him to the perpetual his becoming.

Besides Raffaele, I thank Dario to have me permission, through these digital pages, to offer to the travellers of the whole world, to the nomad that don't have destination, to the you wander, to the vagabond that follow their runs discovering the thousand angles of the planet or simply to the tourists, a landing, " Azalea House ", that want to lend as suggest the times, reception from the whole world without distinction of race, of culture, of religion and of language, without barriers and without frontiers

FRANCESCO